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    Open a larger version of the following image in a popup: Sir Edward Coley Burne-Jones (1833-1898), Euphrosyne Cassavetti
    Open a larger version of the following image in a popup: Sir Edward Coley Burne-Jones (1833-1898), Euphrosyne Cassavetti

    Sir Edward Coley Burne-Jones (1833-1898)

    Euphrosyne Cassavetti
    Chalk; initialled
    13 x 10 ½ inches
    Enquire
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    Further images

    • (View a larger image of thumbnail 1 ) John Anster Fitzgerald (1823-1906), The Nightmare
    • (View a larger image of thumbnail 2 ) John Anster Fitzgerald (1823-1906), The Nightmare
    Read more

    Provenance

    Euphrosyne Cassavetti, 1896

    Constantine Alexander Ionides, 1896-1900

    Christie's, 24 November 1998, lot 167

    Private Collection, London

    Exhibitions

    Burlington Fine Arts Club, 'Drawings and Studies by Edward Burne-Jones', 1899, no 24 as 'Portrait Study'

    Literature

    Burne-Jones Catalogue Raisonné

    Burlington Fine Arts Club, Drawings and Studies by Edward Burne-Jones, 1899, no 24 as 'Portrait Study', p 8

    Fiona MacCarthy, The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination, Faber & Faber, 2011, p 202

    Until its re-emergence on the London market in 1998 this handsome life-size drawing had not been seen in public since it was exhibited at the memorial show of Burne-Jones’s drawings mounted by the Burlington Fine Arts Club in 1899. Entitled Portrait Study and dated about 1868-9, the sitter was the cultured, dynamic and slightly eccentric Euphrosyne Cassavetti. A woman of strong personality, nicknamed ‘the Duchess’, Madame Cassavetti commissioned several pictures from Burne-Jones. She was the mother of Maria Zambaco, the talented sculptress and ravishing beauty with whom Burne-Jones conducted a tempestuous affair in the late 1860s. Our drawing was owned by Euphrosyne’s nephew, Constantine Alexander Ionides, the great patron of the English Aesthetic Movement, whose collection of over a thousand pictures was left to the Victoria and Albert Museum. 

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