The Maas Gallery
Skip to main content
  • Menu
  • Artworks
  • Exhibitions
  • Sarah Adams
  • News
  • About
  • Contact
Menu
Artworks

Watercolour

  • All
  • Medium
    • Oil
    • Drawing
    • Watercolour
    • Tempera
    • Print
    • Sculpture
  • Period
    • 19th Century
    • 20th Century
    • Contemporary
  • Subject
    • Landscape
    • Figures
    • Still Life
    • Abstract
Open a larger version of the following image in a popup: Henry Stacey Marks (1825-1898), Waiting and Watching
Open a larger version of the following image in a popup: Henry Stacey Marks (1825-1898), Waiting and Watching

Henry Stacey Marks (1825-1898)

Waiting and Watching
Watercolour heightened with bodycolour; signed and labelled with title
17 x 12 inches
£8,500
Enquire
%3Cdiv%20class%3D%22artist%22%3EHenry%20Stacey%20Marks%20%281825-1898%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EWaiting%20and%20Watching%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWatercolour%20heightened%20with%20bodycolour%3B%20signed%20and%20labelled%20with%20title%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E17%20x%2012%20inches%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Thumbnail of additional image
  • (View a larger image of thumbnail 2 ) Thumbnail of additional image
Read more

Exhibitions

Royal Society of Painters in Water Colours, 1886, no 2 (or 200)

Literature

Hampstead & Highgate Express, 11 December 1886, p 3: " 'Waiting and Watching,' a lady looking serawards, and attended by some tall members of the feathered tribe, noticeable for their noble crests, are most cleverly drawn"

 

The Times, 2 December 1886, p 8: "Mr Stacy Marks sends ... two other studies of birds - of puffins in a drawing which eh calls 'Three Fishers' (69) and of Cranes in 'Waiting and Watching' (200)"

 

The Spectator, 18 December, 1886, p 14: "Mr Stacy Marks has gone back to his long-legged and short-legged birds, and sends four compositions in which these are the chief features. The best of these is No. 200, a girl in a blue dress standing "Waiting and Watching," with a couple of long-legged tuft-headed fowls by her side. Not a new style of subject this, for Mr Marks has been at it, with slight variations, for a dozen years at least; but  executed with all his skill and thoroughness, and of its semi-humourous kind, good"

In 1877 the Duke of Westminster, to whom Marks had been introduced by the architect Alfred Waterhouse, commissioned Marks to paint a series of 12 panels of birds (including African Cranes) for a drawing room at Eaton Hall in Cheshire. Marks saw the project as 'a fairy garden, an ornithological Walhalla, where no bird quarrels with another, it is content with the climate, conditions, and surroundings of its present abode - an abode where food is always present without the trouble of seeking it'. The walls were covered with grey velvet by Gertrude Jekyll. The recurrent motif in the background of all twelve paintings is a low wall four courses of stone high, and it is likely that this watercolour in some way connects to that project. The identity of the lady is not known; it was unusual for Marks to paint human figures in his pictures (he preferred birds), but she has a strong resemblance to Lady Elizabeth Harriet Grosvenor, the Duke's eldest daughter, who became the Marchioness of Ormonde on her marriage in 1876. Her husband the Marquess was Commodore of the Royal Yacht Squadron and patron of the Dublin Swimming Club, and it is possible that she is watching and waiting for him. The birds are Grey Crowned Cranes, or African Cranes, about a metre high.

Previous
|
Next
70 
of  94
Manage cookies
Copyright © 2025 The Maas Gallery
Site by Artlogic

The Maas Gallery, 6 Duke Street, St. James's, London, SW1Y 6BN

+44 (0) 20 7930 9511  |  mail@maasgallery.com

Instagram, opens in a new tab.
Join the mailing list
Send an email
View on Google Maps

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list