Sir William Fettes Douglas (1822-1891)
The phrase ‘maiden meditation’, taken from A Midsummer Night’s Dream, was often used to describe girlish innocence. During Act II, scene 1 of the play, Oberon describes how Cupid’s arrow failed to strike a ‘fair vestal’, who ‘passed on, / in maiden meditation, fancy-free’. Although the arrow misses its target, it eventually pierces a ‘little western flower, / Before milk-white, now purple with love’s wound’. Here, a young woman with tousled hair holds a white flower - the chair’s seductive shade of rich, ripe red highlights her purity. Douglas’s manner of painting was similar to Landseer’s, using warm colours mixed liquid and laid on with a broad brush.
The Maas Gallery, 6 Duke Street, St. James's, London, SW1Y 6BN
+44 (0) 20 7930 9511 | mail@maasgallery.com
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