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Open a larger version of the following image in a popup: Nora Lucy Mowbrary Cundell (1889-1948), The Kitchen
Open a larger version of the following image in a popup: Nora Lucy Mowbrary Cundell (1889-1948), The Kitchen

Nora Lucy Mowbrary Cundell (1889-1948)

The Kitchen
Oil on canvas; signed and dated [19]25, labelled
21 x 21 inches
POA
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Exhibitions

Redfern Gallery, 1925?

Sir Joseph Duveen's Benevolent Scheme, Leeds Art Gallery, 1927, no 136

Literature

The Times, 8 May 1927, ill p 18 ('The Duveen Scheme: in connection with this scheme to promote the work of British artists an exhibition will be opened at Leeds today. Above we reproduce 'The Kitchen' by Miss NLM Cundell, one of the works on show')

Cundell studied at the Slade under Tonks and at the Westminster School of Art under Sickert. She was an independent and adventurous woman, who travelled across America by car, driving 3,000 miles in a week. In the 1920s, from her address in London, she showed at the Royal Academy a series of paintings of working women: The Cook, The Needlewoman and The Laundress. She exhibited as ‘NLM Cundell’, tricking critics into referring to her as ‘Mr’. The woman in this painting is a figure of authority, sitting in her kitchen, issuing instructions and prominently displaying her wedding ring. Cundell held her first one-woman exhibition at the Redfern Gallery in 1925, which was reviewed by The Times: ‘There is no showing-off … only fine, simple flowing composition, and very careful but very sure detail. The subjects are not smart pretty ladies, but mostly working women; there is no “best-clothes” display about the exhibition. But there is life and truth, and the beauty of them.’

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