Maas Gallery
  • Home
  • Exhibitions
  • Art Search
  • Archive
  • Sarah Adams
  • About
  • Contact Us
Menu

Gallery

Back to Category Overview
3132 3132 3133 3133 3134 3134 3135 3135 3136 3136 3137 3137 3139 3139 3138 3138
8. Sir Edward John Poynter Bt, PRA 1836-1919
Previous  
View full size
Next  
3141 3141 3142 3142 3143 3143 3144 3144 3145 3145 3146 3146 3147 3147 3148 3148 3149 3149 3150 3150 3151 3151 3152 3152 3153 3153 3154 3154 3155 3155 3156 3156 3157 3157 3158 3158 3159 3159 3160 3160 3161 3161 3162 3162 3163 3163 3164 3164 3165 3165 3166 3166 3167 3167 3168 3168 3169 3169 3170 3170 3171 3171 3172 3172 3173 3173 3174 3174 3175 3175 3176 3176 3177 3177 3178 3178 3179 3179 3180 3180 3181 3181 3182 3182 3183 3183 3184 3184 3185 3185 3186 3186 3187 3187 3188 3188 3189 3189 3190 3190 3191 3191 3192 3192 3193 3193 3194 3194 3195 3195 3196 3196

8. Sir Edward John Poynter Bt, PRA 1836-1919

Image information

Description

Proserpine

Oil on canvas; monogrammed and dated 1871

13 ½ x 12 ¾ inches

 

Additional Description

Provenance:

WH Doeg, and by descent to his granddaughter Mrs DM Headey;

With Sotheby's 17.3.1971 lot 128;

J S Maas & Co Ltd;

Servase, 1973

Exhibited:

JS Maas and Co, Victorian Paintings, Drawings and Water-Colours, 1971, no 37

Information:

It is hard to place this picture chronologically amongst Poynter’s oeuvre, as is so often the case with this artist, who in early life designed in collaboration with William Burges. The idea for it seems to have started life as a design for a decorative scheme, one of a set of tiles for the Grill Room of the Victoria and Albert Museum. The theme is of Proserpine gathering flowers in the Vale of Enna, from Milton’s Paradise Lost: ‘that fair field /Of Enna, where Proserpine, gathering flowers, /Herself a fairer flower, by gloomy Dis /Was gathered’ (Book IV, lines 268-71).

There is a preparatory watercolour in the V&A dated 1868, where she is clearly gathering daffodils, with the sea in the distance behind her (in our version she is gathering poppies, with woodland behind). In Poynter’s Royal Academy version of 1869, a larger painting (whereabouts unknown), she is also gathering daffodils. In another small version exhibited at the Grosvenor Gallery in 1877, she was said also to be picking daffodils. That version belonged to HRH Princess Louise, having been commissioned by Queen Victoria, who had admired the 1869 version, but missed buying it. The Princess owned that and seven other small paintings by Poynter of goddesses and women from legend and antiquity, which all derived from designs for the V&A scheme. There appears to be no trace of these pictures. Unless ours is the ex-Princess Louise version (it is possible that the reviewer in The Morning Post who described the flowers as daffodils was mistaken), then ours is therefore another, fourth version, probably dating from around 1878.

Poynter loved to play with light; it flows under the trees, backlighting the composition, and edges the profile of the body leaving the cloth of the robe diaphanous. The zing of red in the flowers punctuates the cool greens and creams.

 
©2016 Maas Gallery. All rights reserved.
Website design by Coolgrey